AMIT KHANNA’S JOURNEY AS A LYRICIST

Shantanu Ray Chaudhuri goes past many of Amit Khanna’s talents and brings fo...

NEED FOR EQUITABLE GENDER REPRESENTATION IN HINDI CINEMA

A new research report by the School of Media and Cultural Studies at the Tata Institute of Social Sciences, Mumbai, reveals that on-and-off-scr...

STOP CALLING ME AN ACTRESS - I AM AN ACTOR!

Does calling actresses 'actors' robs them of their iconic glamour? Or is it a much-needed step to head towards a gender-neutral world? Read thi...

Shakespeare in Bollywood

Shakespeare travels, writes Farrukh Dhondy, in his piece on how well and how not so well the bard’s writing has been ada...

Dreaming big for the vulnerable: Chhitra Subramaniam

Vinta Nanda thinks that one of the greatest pleasures of running The Daily Eye is that you wak...

BOLLYWOOD FIGHTS BACK!

Bollywood has come together to seek redress against the irresponsible, derogatory and defamatory reporting by Times Now and Re...

Evening Shadows nominated in Best Gender Sensitive Script

Two LGBTQ films among five nominated in the first ever recognition of gender sensitivity in Indian feature film writing

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Copy-right-Copy-wrong

Veena Bakshi reveals the flawed system by which our Indian entertainment universe operates; where copyrights holders may as we...

Brotherhood of man and woman

Amit Behl walks us through the huge impact that the COVID-19 crisis has had on the film and television industry and how the fr...